Labyrinth vs. the “City of Professions”
Until recent times, Russia’s shopping and entertainment centers had almost no children’s
centers or zones in the edutainment format. At the same time, the concept of “teaching
through entertainment” has been so popular for many years in Europe and America, that even
projects in small towns include this element. In the nearest future, Moscow, St. Petersburg
and several other megalopolises will focus on edutainment, as several large market players
announced their willingness to develop in this field of activity.
To begin with, we should say that entertainment
parks are also a new thing for Russia, reminds Vitaly
Survillo, chairman of the board at Espro GC, a company
that is building family theme park projects such
as the Masterslavl and the Mastergrad. Peculiarities
of the Russian mentality affect this process as well:
the very idea of learning in the game format is still
facing difficulties in its implantation into Russian life.
“Russia preserves its traditional reverent attitude to
education: it must be received at either educational
establishments or well-known circles or through hobby
groups, but never at a shopping center,” Mr. Survillo
reflected. “The attitude to non-professional educators
is still much of the Pushkin-style ‘Monsieur l’Abbe,
a poor Frenchman, to prevent the child from fatigue,
taught him everything, but in a joking way…” The
expert says that officers of the supervisory and licensing
bodies maintain that spirit, too. For example, if you
start introducing children to the poetry of the Silver Age
or Perelman’s mathematics for fun, on your own initiative
and in your own cellar, you will soon be visited by a
company of women from the Ministry of Education and
Science, escorted by men from the Russian Federal
Consumer Rights Protection and Human Health
Control Service. Then your “backstreet courses” will
be over, because you organized them in the cellar, or
because guys in the next apartment building drink
beer, or because you have no teaching qualifications.
Tatiana Donskaya, Marketing Director at Resolution
Property Management Russia, supports this opinion:
edutainment is not developed because it is a more
complicated format by itself than entertainment or
teaching, when viewed separately. In fact, Russians
tend to draw a too sharp a dividing line between learning
and entertainment, Tatiana Donskaya says, and
they believe that learning is compulsory, and entertainment
is recreation and a reward for learning activity.
“It is quite difficult to combine the two, and speaking of
educational projects seriously, we need at least a minimal
basis and personnel with adequate qualifications.
The average price for such format will be higher in
comparison with a merely entertainment activity.”
Vladimir Strigin, Vice President of Hals-Development,
mentioned such reasons for Russia’s backwardness in
this field: macroeconomic factors (higher credit rates,
higher cost of coordination and construction, maintenance
cost, land and property taxes, etc.), and lack of
a habit to work for the long-term prospect. “We expect
that this format will be represented at our “Central
Children Store in Lubianka” and other projects we are
planning to open in 2014–2015.” Vitalia Lvova, General
Director of Promotion Realty, attributes the lack of such
edutainment in the Russian market primarily to the
deficit of operators capable of realizing it, but makes
reservation by mentioning that the market is ready.
Alyona Marinicheva, Advertising Department Director,
Adamant Management Company, agrees that there
are almost no worthy offers in this segment today, but
her company is ready to consider similar centers even
as anchor tenants for Shopping and Entertainment
Complexes. The situation with SCs abroad is quite varied,
says Yevgeny Bylinskiy, managing partner of
Happy Land children’s entertainment center chain. “In
Europe they encourage children to think and develop;
on the other hand, in China and Japan there is almost
no educational component, but mere entertainment,
with the exception of interactive museums created at
government`s expense. Probably it depends on the
local people’s mentality, because in the gambling business
for adults we can see the same tendency – card
games (that involve thinking) and slot zones with game
machines. In today’s Russia, we can find something
between the Western and Eastern models, with a
slant towards game-machine practices, because the
machines account for 70% of the profits,” Mr. Bylinskiy
comments. “In addition, basic logistics issues and
almost complete absence of the human factor. In
matters of children’s creativity and education, this
factor is very important, and half of your success can
be secured by the choice of staff who must have at
least initial pedagogical training and a level of education
higher than that of a “Mrs. Jones at the labyrinth”.
The popularity of this format for the target audience is
also a topic for discussion: if a child sees a labyrinth
and a boring circle with applique works, what would
he choose?”
MUSEUM OF SCIENCE AND MARKETING
Anastasia Tsyganova, project supervisor at the consulting
department of GVA Sawyer, enumerates the
main formats of such centers that are now operating
successfully all over the world: fairytale museum
(an interactive theater-museum of fairytales and
cartoons; its visitors get into a magic city populated
by characters of well-known Russian and foreign
fairytales), children’s park city (featuring a real city
model), a science museum (for exciting learning about
laws of science and natural phenomena). In Russia, the
science museum format is not represented full-scale
primarily because of the large volume of investment
needed and low rate of return from such projects.
In St. Petersburg, there are some good permanent
exhibitions (Umnikum or LabirintUm) featuring interactive
exhibits, but they are only a part of a full-fledged
science museum. Speaking of worthy international
examples, Ms. Tsyganova mentions АХХАА (Estonia),
Heureka (Finland), Zoom (Austria), Nemo (Netherlands),
and Experimentarium (Copenhagen). The international
practice shows that large science museums are usually
subsidized from municipal budgets and developed
with support from sponsoring institutions and charitable
funds. The city park format suggests that parents
may leave their children at a development center for
three to four hours, so such facilities are created at a
large SC’s or nearby. “Many large children’s entertainment
formats in Europe are supported by parent companies
(Disney and Warner Brothers animation studios,
Lego, and others),” says Yevgeny Bylinskiy. In addition,
full-fledged children’s parks are usually located 20 to
30 km from the city, and most of the smaller SCs have
the same mini-labyrinths, children’s rooms and rollers.
In the suburbs of Berlin, on the territory of former
plants, there are children’s centers covering about
2,000 sq.m, but on the whole this is a different story –
and it is not a Russian story so far.”
In Russia, the brightest example is the currently
operating KidBurg center at the “Grand Canyon” (St.
Petersburg). In December 2011, it opened the “Fancy
City” (21,500 sq.m) containing about 30 shops offering
children’s goods, a children’s theater, various circles
and hobby groups, a foreign languages school and
the first Russian “city of professions” where children
can become acquainted with basics of economics
and society. “It has its own hospital, post office, airport,
bank, police station and even a Civil Defense,
Emergencies and Disaster Response service. The
KidBurg is the only Russian project that allows introducing
children to adult professions,” says Vladimir
Strigin. The northern capital of Russia will soon have
the Mastergrad at “Peterland”.
The Europa shopping and entertainment center
(Kaliningrad) introduced the edutainment format in
2010, says Tatiana Donskaya. The children’s zone is
represented by two grounds fashioned like a city. One
ground (the large one) includes a labyrinth, a small
trampoline, and toys for smaller children (toy cars and
slides). The other ground (the small one) is made to
fit the edutainment format; in particular, they organize
special classes here for the children to develop their
creative abilities. Comparison of the two grounds
shows the overwhelming popularity of the entertainment
grounds, Ms. Donskaya added. The main argument
for the parents is the price, which is a bit higher,
and the idea that children are already tired after school
classes. Nevertheless, the creative workshop also
has its fans, and these children come there regularly
as if it were a school circle. The cost of a single onehour
class is 200 rubles on weekdays, and 250 rubles
on weekends. In spite of low profitability of the concept,
the developer believes Europa has promising
outlook and intends to pursue its further progress.
Yet most of Shopping and Entertainment Complexes
have separate projects that enjoy tremendous
popularity, as their organizers assure. For example,
Alyona Marinicheva told us about children’s creative
competitions, a series of development games for
schoolchildren, the Zvezdniy Chas (Star Time) festival
at Nevskiy Shopping and Entertainment Complex and
Atmosfera Shopping and Entertainment Complex, the
Balkanskaya Zvezda (Balkan Star) creative competition
at Balkansky Shopping and Entertainment Complex. In
December, the Continent Shopping and Entertainment
Complex will open in Bukharestskaya Street; the
complex will feature a large Wonderland entertainment
center with an area of more than 13,000 sq.m.
SOCIAL. INTERESTING. EXPENSIVE
Given the popularity of small entertainment stations,
says Vitalia Lvova, the market is actually mature. Vitaly
Survillo supports his colleague by stating that this is
just the right time to begin working – and finding a
corresponding place. This means not only a favorable
location, but also the dimensions available. Most
shopping and entertainment centers are built on the
basis of a standard floor height of 4–5 m, which is
unacceptable for a children’s park. It is also important
to refine the concept of making the project attractive
for consumers. It is difficult to achieve success with
only a small selection of educational entertainment
or by blind emulation of the existing foreign parks,
without taking into account the Russian specifics and
engaging a professional management team or at least
several specialists.
In addition, the most important thing is not to suppress
the project with leasing rates. It is evident that
a popular educational park will not only generate
additional numbers of visitors for the shopping and
entertainment center, but it will also be useful for all
nearby sales outlets in terms of better recognizability
of their brand among children. Most SCs who enjoy
good demand for premises, admit parks at the rates
offered to other tenants – at $700–800/sqm and higher.
Yevgeny Bylinskiy believes that today edutainment,
in its pure form and at such leasing rates, is a social
project at best, and its chances to be even a little profitable
are almost minimal. Fundamentally, everything
that is being done in Russia in this field, including the
KidBurg, are more like venture projects with a complicated
economy, Mr. Bylinsky added.
Experts say that we need companies willing
to invest into the creation of a new product with a
rather long payback period. Vladimir Strigin thinks
that the easiest way is to give small and non-liquid
areas, no more than 5–7% of leasable floor space,
for such centers. It will help to solve the “problem of
today” – to achieve a certain level of rental income,
but it does not allow for placement of a full-fledged
format there, and in the end, it will reduce interest of
the center’s end-consumers. “By the example of the
Central Children’s Store in Lubianka we may say that
the premises for such center are going to be small.
However, in the first place, we are planning to involve an operator who is new
to Russia, and in the second place, to use atrium floor space for the placement
of temporary expositions, exhibitions, and experimental grounds,” Mr. Strigin
specified. Anastasia Tsyganova supports him by saying that it is necessary
to realize, from the very start, that the profitability of a children’s development
center is substantially lower than that of any commercial property segment. She
assures us that such a center is bound to become a distinguishing feature of a
shopping center and improve its success by generating large flows of visitors.
However, with account of the need for moderate leasing rates, only owners of
larger SCs will plant children development centers into their complexes, and
they will do this on condition of tough competition in their regional segments.
Thus, this format will be popular in capitals and million-plus cities at first. Vitalia
Lvova shows her cards: unlike game machines, which also suffer from high leasing
rates, the “learning through playing” format does not become less attractive
with time, and permanently offers new things to its little visitors. This means that
children will take their parents to the shopping center again and again. Viewing
this format from the operator’s angle, cooperation with well-known brands also
allows attracting additional investments in project creation. For example, while
creating a copy of the city, one may build a Sberbank instead of just a bank, or
use the idea of an airport with Aeroflot planes. Such schemes are working successfully
abroad, and allow for both investing more into the project at the opening
stage, and for improving its profitability – which results in the opportunity of
paying a higher leasing rate.
Meanwhile, market players mention a chain developed by Espro GC, among
the Russian operators. Opening of its first “city” entitled “Masterslavl” is
expected to take place in late 2012 in Moscow’s Evolution Tower Multi-Purpose
Complex occupying 6,000 sq.m. In addition, a leasing
agreement for 5,400 sq.m has been signed with the
St. Petersburg shopping and entertainment center
Piterland. A project with a similar name – Mastergrad –
will be launched by Espro by the end of the 1st
quarter of 2013. Agat Group, which is developing
the Happylon entertainment center chain, has also
announced opening several Minopolis theme parks in
million-plus cities of Russia. Appearance of the first
object of this chain is expected in the new Krasnodarbased
shopping and entertainment center OZ Mall,
already at the end of 2012. Its area is less than that of
Espro grounds – only 4,700 sq.m. “Now we are waiting
for the ‘Gorod Masterov’ (City of Artisans) to open in
the Moscow-City in December and the Minopolis – in
OZ Mall,” says Vladimir Strigin. ”After this happens, we
may evaluate the effectiveness and state of demand
for this concept and announce the coming of new
players and new projects to the market.”
No one dares to say that in today`s Russia the
edutainment has been successfully implemented, says
Yevgeniy Bylinsky, “And even more – where else can it
be implemented besides Moscow and St. Petersburg?
The first answer is the cities with million plus population.
Yet personally, I am scared of the universal appeal
of Krasnodar and Sochi, where they are placing billions,
but the income will only be reaped during the
holiday season, with the purchasing power of indigenous
population being very low.” It is also unlikely that,
for the sake of the children`s center, people will travel
there from other regions, for example from Adygeya
and Abkhazia. “Now in one of the facilities in Kaluga,
we are creating a zone with elements of edutainment,”
continued Mr. Bylinsky. “However, in this shopping
center we created the best greenhouse conditions
for implementation, which few can offer in Russia.
Here, again, there is such a factor as the spending ability
of parents. The children need to be brought to the
zone in the shopping center, and not just be dragged
through the stores, and so parents must purposefully
seek this “smart” section. Consequently, we are faced
with the general level of culture and quality of life of
our citizens. How this will be in Kaluga – this is the big
question.”
In addition, announcing its interest in the development
in Russia of the international network known
as KidZania was the company Moneks Trading
(Mothercare, Next, Body Shop, and other chains).
Back in 2011, it became known that the company had
purchased the franchise and started looking for appropriate
areas. However, specific information on where to
open Russia`s first KidZania is not available yet.
THOUGHT AND ITS DEFICIT
What are “boys and girls” missing in Russian malls today,
and how to provide this? Above all, the basic comfort,
says Vitaly Survillo. It is not so much the availability of
children`s entertainment areas and their profiles, but rather
a basic level of security. This is personal security (when
you doubt that it is possible to leave your child alone, not
knowing who will offer what to him/her), and education
(is it a good thing that in a shopping center everything is
oriented towards shopping?), and moral (if you start to
reflect on the content and Russian forms of advertising,
especially in the SEC). Experts are also worried about
the entertainment set up in the malls, 70% of which are
oriented towards fostering the child’s dependence on
the virtual world. Tatiana Donskaya says that there is still
one acute shortage in Russian malls – that of thought.
This thesis is supported by Yevgeniy Bylinsky, who says
that all Russian projects so far (including children`s zones)
are mere copies of Western developments, and with
these “gourmet developments”, in addition to the lack of
thinking, there is the lack of service. “Entertainment for
kids should achieve a new higher level, not only in terms
of equipment, but also service,” says Mr. Bylinsky. “I was
recently at a site in a big shopping center in Moscow. Old
stuff instead of modern equipment that costs 500 rubles
an hour to visit (in Europe – from 4 euros). Then during
peak hours, two workers “in the children`s area” are
standing next to an unfortunate, left-behind child that is
shouting – ‘Mama, Mama!’ No one is paying attention to
him. What edutainment is this?”
Vladimir Strigin believes that the Russian SECs lack
almost everything, from rooms equipped for the mother
and child, baby and children`s individual toilets, to family
centers where parents and children can spend the whole
day together. He clarifies that TSDM has planned very
specific childhood services: medical clinic for pregnant
women and children, rental and storage of strollers,
children’s handrails, “children’s” buttons in elevators,
children`s intuitive navigation, a specialized service for
child protection, children`s hairdressing and beauty
salon, information points about children`s activities and
“children’s” locations in Moscow, ticket sales for children`s
activities, children`s theater, the “Jumble” studio,
“Children`s World” Museum, and a school of etiquette.
Which operators could theoretically enter the market
in the near future? Either very large Russian companies
or large international operators, ready to take
these risks, say the market players. While the operators
of children`s entertainment, education, and goods
are on an equal footing with the producers of alcohol
and cigarettes (in terms of taxation and crediting), so
a very limited number of operators work in this segment
– those who can afford to actually freeze huge
credit resources for the realization of such large-scale
projects. According to the experts, Russia is too well
known in the world for its mega-profits: in the entertainment
segment, the average checks in Moscow are
higher than those in America and Europe – by three
times. Thus to attract new international operators
requires significant efforts on the part of the owner,
who will consider the operator of a child training-leisure
center as a full partner of the project, said Vladimir
Strigin. However, apart from the financial component,
you also need a creative part. The one for which
“thoughts are in short supply”. In addition, here is the
easy way out – use international developments, i. e.,
open edutainment centers under a famous brand.
However, while in Russia there is a very limited supply
of this format, virtually any new edutainment center
will have many visitors. In addition, given that the baby
boom continues in Russia, this segment has good
prospects in the next 10–15 years.
Yevgeniy Bylinsky believes that the future is relatively
good for mobile mini- and midi-formats – came,
opened, tried, and left if unsuccessful. Another thing is
that Russian small businesses and private entrepreneurs
“go as they can”, and they often cannot afford
to invest at least 6 million rubles into 200 sq.m. Therefore,
they immediately start scrimping on security, staff and
equipment, and parents prefer to drive an hour to another
shopping center where all this is “lots better”, and the
entrepreneur goes bankrupt. Of course, where there is
competition, in any case the user “gets what is available”.
Europeans and Americans are afraid of entering the
Russian market because of complicated laws and notorious
corruption schemes. As a result, there are opportunities
for middle-sized Russian companies, having both
good professional experience and funding. An important
condition is that such projects should rank as a priority
line of development for those realizing them, and they
should not be a non-core asset or a Russian traditional
toy business “for wives and lovers”.
And one more thing – let’s cast the slop aside. No more
than 10 percent of market players have come to understand
the social importance of children’s projects. All the
rest will continue to view edutainment – for many years
to come – exclusively as a link in the “generating more
traffic – increasing object attractiveness – lifting leasing
rates for everyone else” chain, without “children’s professionals”
behind it, or evaluating its importance through a
distorting mirror.
CRE №22 (197), November 2012